Almost Pyaar With DJ Mohabbat
Anurag Kashyap’s ‘Almost Pyaar with DJ Mohabbat’ is a love story that turns the conventional love story on its head
Anurag Kashyap’s ‘Almost Pyaar with DJ Mohabbat’ is a love story that turns the conventional love story on its head
Shan's 'Bommai Nayagi' gives Yogi Babu the space to be dramatic, but the story-handling is too simplistic
Jayaprakash Radhakrishnan's well-intentioned 'Thalaikoothal' is a drama that stays at an arm's length
Anupam Patnaik's 'Pratikshya' (Odia) is an affecting family drama about father-son friction and a lot more
Vivek's underwhelming 'The Teacher' (Malayalam) might have worked better as a pulpy B-movie than a “serious film with good intentions”
Prithvi Konanur's superb 'Hadinelentu (Seventeeners)' opened the Indian Panorama section at IFFI; it's about a leaked sex tape, and is a scalpel-sharp dissection of caste
Jeo Baby’s terrific ‘Sree Dhanya Catering Service’ is a funnier, more free-flowing take on ‘The Great Indian Kitchen’, with men doing the cooking this time
Anjali Menon's intermittently effective 'Wonder Women', on SonyLIV, is best enjoyed as an experiment in narrative technique
Senna Hegde’s ‘1744 White Alto’, with Sharaf U Dheen, is a kind of stoner comedy where some jokes land big-time while others feel forced
R Kaiser Anand’s Anel Meley Pani Thuli, starring Andrea Jeremiah as a rape survivor, on SonyLIV, is a strong story that needed stronger writing
Vasan Bala's 'Monica, O My Darling', on Netflix, with Rajkummar Rao and a top cast, is a very enjoyable ‘retro’ murder-mystery, propelled by a super-retro score
Abhinav Sunder Nayak's 'Mukundan Unni Associates', with a superbly cast Vineeth Sreenivasan, is a delicious, deadpan, dark comedy
Pradeep Ranganathan's 'Love Today' has a great theme that is let down by the writing, which settles for easy jokes and easy sentimentality