Sarfira
Sudha Kongara’s ‘Sarfira’ is a solid remake that has its own flavour, both in terms of moments and performances
Arun Chandu’s ‘Gaganachari’ is an amusing dystopian mockumentary with enough pluses to outweigh the minuses
Nag Ashwin’s ‘Kalki 2898 AD’, starring Prabhas, is a major technical achievement but the writing doesn’t match up
Christo Tomy makes an impressive debut with ‘Ullozhukku’, a story about two women brilliantly played by Urvashi and Parvathy
Kabir Khan’s ‘Chandu Champion’ has an alarmingly generic start, but slowly picks up steam to become a moving story about a memorable man
Vipin Das’s ‘Guruvayoor Ambalanadayil’ is an easy watch, but this solid premise should have generated more laughs
Dijo Jose Antony’s ‘Malayalee from India’ has some big laughs, but it’s mostly a preachy, very obvious take on Hindu-Muslim brotherhood
Sanjay Leela Bhansali’s ‘Heeramandi’ is top-notch entertainment: a genteel mix of deceit, intrigue, the fight for freedom, and the fight for love
On the big screen, after 20 years, Dharani’s ‘Ghilli’ still works better than most hero-oriented movies made today
Vineeth Sreenivasan’s ‘Varshangalkku Shesham’ is a middling, unfocused bromance that also wants to be a meta-commentary on the film industry
Imtiaz Ali’s ‘Amar Singh Chamkila’ is a beautifully made biopic that showcases a man as well as morality
Sajid Ali’s ‘Woh Bhi Din The’, on ZEE5, is a sweet look at school days, filled with lovely, delicate moments
Blessy’s ‘Aadujeevitham’ has its moments and gets an A for effort, but given the source, this should have been a far more moving film