Veteran Tollywood director Ram Gopal Varma is back with yet another erotic thriller titled Naked Nanga Nagnam (NNN). The film was released on his OTT platform RGV World yesterday on June 27th. This movie has been priced at Rs. 200 for pay-per-view. He has introduced a new heroine in Naked called Sweety, from Devarapalli, in West Godavari district of Andhra Pradesh. Ram Gopal Varma claims that around 35,000 people have paid and watched the film in less than 20 hours of its release. Galatta got in touch with Ram Gopal Varma for an exclusive interview. We asked him about the weird camera angles between a girl’s legs in Naked film. Here is what he had to say to this question: 
 
“There are two reasons for that, one is the for the fact, the film is called Naked. It is about somebody’s holistic vision of a woman. If I could recollect some of my early days’ memory like say before venturing into films and stuff. During those times, when I am on a bus, I try to peek at a woman sitting in the seat and look at her... You know. So, the woman is not showing but the men have the audacity to see it in a certain way. And that is what the subject matter is in the context. So, obviously it is about one character’s perception of the way he looks at the women subjecting her body parts which are how the kind of shots originated from. And second Naked for me is a word that has multiple meaning, there is physical nakedness, emotional nakedness and then most being hypocrites cover what you feel and naked tries to take those clothes of hypocrisy which why you see those kinds of angles in the movie. Sexuality and sensuality of women is something that attracts everyone which is actually a part of cinema. 
 
Why would I put Naked’s trailer out unless I want attention, that’s the whole reason behind it? Anybody would do that. All the men would love to see a woman secretly, and probably they want to see women in the angles they have not seen before. Like many people I know would admire a girl in a bikini but when you see her in saree which technically covers everything from head to toe but in the context of the film if I manage to get angles to see her body parts through the saree folds but when she is not aware of it. That aspect of the camera work will come a lot.”